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Assessing Alessandro Michele’s Valentino Couture Premiere


Alessandro Michele made his couture debut with Valentino through a show called “Vertigineux,” which was filled with eccentricity, gothic themes, and existentialism. This marked a rare injection of new blood into the elite world of couture fashion. The show featured unique choreography and extravagant costumes that left a lasting impression on the audience. Despite being known for his innovative designs, Michele’s showcase at Valentino seemed to lean towards designer self-indulgence rather than practicality or modern relevance.

Other designers, such as Giorgio Armani and the Chanel team, showcased their collections at the recent Paris couture week. While Armani celebrated the anniversary of his Armani Privé line with star-studded suits and elegant gowns, Chanel presented a modern take on classic styles under the guidance of its studio team. New ideas were also explored, with designers like Ludovic de Saint Sernin and Gaurav Gupta bringing unique interpretations of daywear and corsetry to the runway.

However, Michele’s show stood out for its excessive and theatrical nature, with elaborate costumes reminiscent of historical figures and eras. The designer’s affinity for lists and intellectual references was evident throughout the show, but it raised questions about the practicality and modern relevance of the designs. While couture is not expected to be practical, it should still resonate with the contemporary world. Michele’s debut at Valentino seemed more like a nostalgic trip through costume history rather than a reflection of current fashion trends. Ultimately, the show left audiences pondering the role of couture in today’s rapidly changing fashion landscape.
Note: The image is for illustrative purposes only and is not the original image of the presented article.

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